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Scott Alger’s most recent series of works, Manhattan Trendsetters: Supermodels, Musicians and Artists (Summer 2009), draws from the canvases of 18th century France and the decorative arts of turn of the 20th century Russia. The grandeur, elegance and luxury of the Rococo stance, prominent in such famous works as Francois Boucher’s Vulcan Presenting Venus with Arms for Aeneas and Giovanni Battista Tiepolo’s The Death of Hyacinth, inspired the figural composition for Alger’s piece “Kabala Assistants.” Alger injects this dramatic Rococoesque arrangement of figures with the lights of modernity; the grunge of youth and beauty; and the symbols of the supernatural, appearing mid-air as if floating down from the third dimension. In this photo, he connects the past and present with the speed of light.
In a similar vein, Alger’s piece “Faberge Opera” draws on the plush decorative arts of the Russian Tsars. Featuring a young New York-based Opera starlet and three Russian strippers, Alger successfully merges and juxtaposes the concepts of a gritty modern reality and an antiquated regal dreamland.
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While the condensation of spans of time and space into a single modern image has remained a vital component of Alger’s work since he first began creating his mesmerizing photos, the period of focus continues to change. In his Summer 2009 collection, Manhattan Trendsetters, Scott Alger merges the trendoids of yesteryear with the fashionable of now using a mere light bulb.